Wabi-Sabi: The Beauty of Imperfection

By Tai Carmen

“Wabi-Sabi is a beauty of things imperfect, impermanent & incomplete.” ~ Leonard Koren

“Wabi is the beauty that springs from the creative energy that flows in all things, animate or not. It’s a beauty that, like nature itself, can appear with dark and light, sad and joyful, rough and gentle.” ~ Makoto Ueda

“Beauty is radiant and tactile, not airbrushed.” ~ Joe Hefferon 

The term Wabi-Sabi represents a Japanese aesthetic philosophy that embraces authenticity over perfection.

Characterized by asymmetry, irregularity, simplicity, economy, austerity—modesty & intimacy—wabi-sabi values natural objects & processes as emblems of our transitory existence. Rust, woodgrain, freckles—the texture of life.

Developed in the 15th century in reaction to the lavish, ostentatious ornamentation of the aristocracy, wabi-sabi centers around three principals: “nothing is perfect, nothing lasts, and nothing is finished.”

“The initial inspiration for wabi-sabi’s metaphysical, spiritual, and moral principles come from ideas about simplicity, naturalness, and acceptance of reality found in Taoism and Chinese Zen Buddhism,” notes Leonard Koren (“Wabi-Sabi For Artists, Designers, Poets & Philosophers.“)

Though the concept of wabi-sabi is vast & elusive, most agree the closest Western translation is “rustic.”

“Wabi” refers to stark, transient beauty, while “sabi” denotes the poetry of natural patina & aging, with undertones of yūgen—profound grace and subtlety. Age, damage & natural processes are not seen as flaws, but as deepening & enriching an object’s beauty & profundity.

It is not only natural process that wabi-sabi celebrates, but subtlety & suggestion.

“Wabi-sabi is underplayed and modest,” details Robyn Griggs Lawrence, “the kind of quiet, undeclared beauty that waits patiently to be discovered. It’s a fragmentary glimpse: the branch representing the entire tree …. the moon 90 percent obscured behind a ribbon of cloud. It’s a richly mellow beauty that’s striking but not obvious, that you can imagine having around you for a long, long time…”

Intentionality is key.

“Wabi-sabi is never messy or slovenly,” adds Lawrence. “Worn things take on their magic only in settings where it’s clear they don’t harbor bugs or grime. One senses that they’ve survived to bear the marks of time precisely because they’ve been so well cared for throughout the years.”

To find beauty in imperfection is not intuitive to the Western mind.

Not only have we been raised in a consumeristic culture that values the new & the flawless over the old & the damaged—from objects to people, an obsession fed by airbrush-heavy advertisers—but our entire Western worldview is based on the ancient Greek philosophies of symmetry, proportion & idealized beauty. Not acceptance of what is, but glorification of what could be.

Wabi-sabi finds beauty & value in what is. 

It is, Lawrence notes, “everything that today’s sleek, mass-produced, technology-saturated culture isn’t. It’s flea markets, not shopping malls; aged wood, not swank floor coverings; one single morning glory, not a dozen red roses. Wabi-sabi understands the tender, raw beauty of a gray December landscape and the aching elegance of an abandoned building or shed.

“Wabi-sabi reminds us that we are all transient beings on this planet—that our bodies, as well as the material world around us, are in the process of returning to dust. Nature’s cycles of growth, decay, and erosion are embodied in frayed edges, rust, liver spots. Through wabi-sabi, we learn to embrace both the glory and the melancholy found in these marks of passing time.” (“Wabi-Sabi: The Art of Imperfection.”)

In this modern age we find ourselves increasingly alienated from the real.

The texture of life is more & more digitized. We are programmed to seek newer, sleeker, faster technologies—bombarded with images of younger, smoother, more mannequin-like faces as the height of beauty.

It is a ripe time to recall & explore the ancient wisdom of wabi-sabi.

As Billie Mobayed famously noted: “When the Japanese mend broken objects they aggrandize the damage by filling the cracks with gold. They believe that when something’s suffered damage and has a history it becomes more beautiful.”

In an age when broken things are sooner thrown away than honored for their history we can apply this beautiful concept to ourselves.

Though our hearts may bare metaphorical fractures, in the light of our acceptance & reverence, we fill its fissures with gold. For what is more valuable than experience?

Though classically based in art, architecture & landscaping design, it seems natural to apply wabi-sabi principals to our own & others’ humanity.

Through the wisdom of wabi-sabi we can again begin to appreciate the texture of life—as expressed through human authenticity & natural process.

Perfection has a hallow ring next to the real.

     

 

*If you enjoyed this post, you might also like: “Authenticity & The False Self”  

Synthesis: Reflections on the Journey

By: Tai Carmen

“We don’t receive wisdom; we must discover it for ourselves after a journey that no one can take for us or spare us.” ~ Marcel Proust 

“The only journey is the one within”. ~ Rainer Marie Rilke

The turn of another year inspires reflection on what has come before.

When I first started Parallax three years ago, I didn’t know what the theme would be. I wasn’t sure if anyone would care about the topics that interested me, or indeed, if I had anything interesting to say. I had only a vague feeling—a multitude of disconnected puzzle pieces floating around inside me, like dots begging to be connected.

I had one focal point, and it became the source of my first entry: “The Role of the Dreamer & the Falseness of Civilization,” inspired by a stop light. I realized how automatic my response had been upon seeing the amber traffic light turn red: foot on break, like a trained animal. Then the light changed to green and without conscious thought my foot obediently pressed upon the gas.

In that moment, I wondered what else I had been conditioned to accept that had become automatic—even intimate—to my functioning, which was the product of some external system. I saw that my experience with the traffic light—my unconscious conditioning—was a metaphor for society at large.

The blog soon became my shared in-process journey connecting the dots, many of which (of course!) remain unconnected. Yet, a picture emerges…

I began to see a coherence to the topics, which at first seemed merely a loose, eclectic collection of curiosity-driven investigations.

A theme began to crystallize. I realized I was trying to mentally pan back—to accurately perceive a reality, which I had witnessed for so many years that I had ceased to truly see it. Familiarity seems to breed a kind of trance state of assumptions. I began to attempt to deconstruct society as I knew it—imagining what our world would like like to an alien observer (“The Mad Cult of the World”) with no preconceived notions. This excercise was a tremendous eye-opener for me.

What I saw was a well oiled machine. An (apparently) self-perpetuating system of control, with built-in reinforcements & viscous cycles so as to appear both inescapable & desirable.

I observed how conformity & consumer-based lifestyles that feed the system—and increase people’s wage-slave circumstance with debt & emotional dependence on external status—are marketed & reinforced constantly from every angle (“Invisible Architects,““The Engineering of Human Desire,” “Mind Control in the Music Industry,” “The Perversion of the American Dream”)…

How our natural instinctual herd mentality & desire for acceptance (“The Mythology of Conformity: Totem & Taboo“) is exploited by marketing to create a climate of uniformity (“The Politics of Normalcy“), where independent thought that jeopardizes the status quo (“Polarity & Paradox”) is not given a widespread platform of expression.

I began to realize that my feelings of alienation within mainstream society were not necessarily indications of personal failing, but perhaps symptomatic of a larger imbalance within the system.

As Krishnamurti says, “It is no measure of health to be well adjusted to a profoundly sick society” (“The Outsider” ).

I became convinced that positive social change, in fact, could only come from an outsider, because only someone looking in from the outside could see the problems for what they were (“The Outsider As Visionary”, “The Art of Madness”).

 I became interested in the idea of personal authenticity (“Authenticity & The False Self”) as the path towards true self-knowledge, beyond social conditioning. For I believe we can only incite true social change—contribute positively to society— when we have processed our own shadows (“Navigating the Dark Night of the Soul,”) and begun to piece together our true selves, which have been fragmented by a compartmentalized system (“Soul Retrieval”). 

As I became more conscious of my personal journey (“The Modern Vision Quest,” “The Question of Reality, “The Human Soul & The Floating Man,” “The Art of Seeing,”) I began to explore my own thoughts, feelings & direct experiences with reality. The further down the rabbit hole I went, the more the dots seemed to connect. And it felt different to come to these ideas in a visceral way—through personal gnosis—than through reading the ideas of other minds. I only used their works to substantiate my own discoveries, and offer what I hoped would be interesting background to the topics which most compelled me.

As I wrote on these subjects, I received—wonder of wonders!—a positive response from readers (you guys!), which reflected back to me that I was actually speaking to subjects which were not just in my heart, on my mind, alone, but were also meaningful to others. I actually acquired readers at all, which itself is both humbling & thrilling.

Your feedback is what keeps this blog going. To know I am not dropping letters into a well but actually contributing to the collective conversation has shown me that these subjects, which at first seemed so disconnected, are truly on our collective mind—and truly form a cohesive picture.

The idea put forth by British Zen philosopher Alan Watts in the 60s that “[We] are an aperture through which the universe is looking at and exploring itself,” later re-popularized in the 80s by American astrophysicist Carl Sagan—“We are a way for the cosmos to know itself”—was actually first developed in its modern form by 18th century German philosopher George Wilhelm Friedrich Hegel.

Hegel contended that Spirit was at first unconscious of Itself. (Hegel’s use of “Spirit” is a translation of the German word “Geist,” a nonreligious term, not comparable to our English word for “God,” but a neutral term, mingled with the idea of “transpersonal mind” & “essence”.) He called this stage of unconscious Spirit the Thesis stage.

At one point,  Spirit-exploring-itself-through-Man became conscious of existing.

The self-aware man looked around (or Spirit looked around through Man’s eyes) seeing himself and others—others who might be similar to him, but were not him. And the newly self-aware man defined himself through this negation. In short, he knew himself in part by what he wasn’t: the other. He looked at the world and saw many, a multi-facetted prism. He saw division. Those who were not him were perceived as foreign, alien, other—often, too, inevitably, as “enemy.”

This was Antithesis stage.

Eventually, as man’s time on the planet progressed, a few, rare introspective humans—specifically, for Hegel, the philosopher—became aware of the interconnectivity of all life-forms (“Connectivity Through Form”), at which point he perceived Self in Other (a hallmark throughout all mystical literature of enlightenment) and became self-realized. The prism revealed itself to be—while multi-faceted in appearance—in essence, a single diamond.

This was the Synthesis stage—where thesis & antithesis, two apparent opposites, merged & integrated to form a more complete truth.

I believe we are currently experiencing the growing pains of collectively & individually moving—shifting—into a Thesis stage of existence (“Transformation, Destruction & The Inner Apocalypse“). That is where my studies thus far have lead me.  (“Starseeds, Cosmic Consciousness & The Galactic Generations,” “Stardust Contemplating Stardust: Inner Space & The Science of Illumination”).

There are many fighting this emerging connectivity. But there are an increasing number straining towards it. Some, only half-consciously, as I was when I first began this blog—driven only by a vague sense of discontent & yearning. As Morpheus tells Neo in The Matrix: “Something is wrong with this world, you’ve known it all your life, you don’t know what it is. It’s like a splinter in your mind … driving you mad.”

Still others, aware & awake through their own process of trail, error & self-discovery, are fighting for the cause: of reverence for life & planetary harmony.

The Fear Culture of the media news may tell you otherwise, but I—perhaps you, and so many others—are beginning to tear down the facade like a paper sky and see it for what it is: the attempts of a system under threat to maintain control through division, traumatization & uncertainty.

I perceive this as a time—intense & trying as it may be—of integration for many. We are all connecting the dots. Feeling more connected to one another, across space & time, even while we may still experience major bouts of isolation…we see that we are not alone in our strange (or not so strange) thoughts & visions. If through the advancement of technology alone.

We are a mere Google search away from learning, for example, that the long-dead Hegel’s complete life philosophy beautifully articulates that intuition we could not quite put to words; or perhaps that blogger you’ve never met, but read sometimes, has been mulling over the same insights you’ve been contemplating on your journey.

And it is a journey. (“Alchemy: An Allegorical Map for the Transmutation of Consciousness.“) No doubt about it. Complete with dragons to slay, puzzles to solve & dark forests in which we must, by virtue of necessity, learn to generate our own inner light to illuminate the path ahead.

We are heroes and heroines scaling Dark Nights of the Soul like mountains … swimming rivers of sorrow, where we reach dry land of revelation & new strength. Each trial, an initiation, each passage, a threshold into new insight, if we continue to search for the lesson, for the center, for the truth. Nothing is wasted. We can use it all.

Happy 2014, fellow journeyers! I would love to know what you think about all this! All comments on this first post of the new year—as has become Parallax tradition!—will be entered into a drawing, the winner of which will receive my current heart-compass book-companion,  “Don’t Sweat the Small Stuff…And It’s All Small Stuff,” By Richard Carlson, Ph. D: a slim inspirational little easy-read manual for transcending postmodern angst and tapping into inner peace.

Here’s to the journey, fellow travelers.

On on!

TC

Soul Retrieval

“Why do we describe a distraught person as being ‘beside himself’? Because the ancients believed that soul and body could part, and that under great emotional stress the soul would actually leave the body. When this happened a person was ‘beside himself.'” ~ Dictionary of Word Origins

“For what is a man profited, if he shall gain the whole world, and lose his own soul?” ~ Jesus (Matthew 16:26)

Part I

Our language is rife with references to what has traditionally been described by shamanic cultures as ‘soul loss’ — “Nobody’s home,” we might say of an empty-eyed co-worker. Or, in a funk ourselves: “I feel like a part of me is missing.” Popular songs site it casually — I don’t know where my soul is / I don’t know where my home is (Nelly Furtado, “I’m Like A Bird”).

Yet, these expressions are so common, we often use them as descriptors without fully investigating their implication.

“Many of us today don’t feel totally whole, don’t feel as if we are all here,” relates Sandra Ingerman in her book Soul Retrieval: Mending the Fragmented Self. 

“Few of us live as fully as we could. When we become aware of this, we want to recover the intensity of life, and the intimacy, that we once enjoyed…We want to come home more fully to ourselves and to the people we love.”

Many turn to the shamanic arts for language and methodology which address our collective angst with a soulfulness lacking in modern lexicon.

“The re-emergence in the late twentieth century of shamanism — with its lively and concrete notion of soul — seems to be a response to a very depressing cultural reality,” notes Jungian analyst John Ryan Haule. “In the past six or seven hundred years we have undergone a consciousness-shift of 180 degrees. Formerly soul was our primary reality. Now we have only a body and a rational ego.

“The material conditions of our lives have improved immeasurably, but we’ve lost the imaginal and transcendent scope that belongs to the reality of soul. In a situation like this, it is often the depressives among us who are the most realistic regarding the impoverishment of our human existence.” (“Depression & Soul-Loss.”)

According to modern writers on the ancient subject, soul loss accounts for depression, anxiety, a sense of alienation, incompleteness and disconnection, a feeling of being “spaced out,” or “sleepwalking” through life.  Extreme cases include coma, psychosis, fugue states and dissociative identity disorders. 

Interestingly, the concept that a vital aspect of the self flees or retreats during experiences of extreme pain or disturbance is an idea shared by shamanism and psychotherapy alike. Psychotherapy calls it “disassociation,” shamanism calls it “soul loss.” The purpose in both cases is self-protection.

Modern shamanic healers explain that we all lose bits and pieces of our soul, or vital essence, as we go through life.

The cause doesn’t have to be something as monumental as an accident or as extreme as abuse. It can be as simple as a small child’s sensitivity to their parents’ psychic tension or continued arguing. Little by little, parts of ourselves withdraw and become seemingly lost to us.

Rejected elements of the personality are banished from conscious awareness — Jung’s concept of the psyche’s “Shadow” aspect. This is done unconsciously, to ease the cognitive dissonance of harboring seemingly conflicting or ambiguous feelings; what modern psychology calls “compartmentalization” and repression. 

Denied aspects — such as repressed sadness, anger, inner child or libidinous impulses — are effectively exiled. But they do not disappear. They continue to exist “underground,” as it were, in the subterranean caves of the psyche, causing emotional alienation, discomfort and disconnection from self.

The good news is that excavation of these buried aspects — and a renewal of their accompanying vital forces  — is always possible, and the focus of psychotherapy and shamanic healing alike.

“An aspect of the infinite soul fleeing under duress is a state everyone has at some point experienced, regardless of terminology or ideology applied,” comments Kelley Harrell in her Huffington Post article, “The New Treatise on Soul Retrieval.”

The most common approach of neo-shamans is to echo the ancient model of shaman-as-guide in the netherworlds of psyche/non-ordinary reality. As pioneering anthropologist Mircea Eliade wrote in his now classic text “Archaic Techniques of Ecstasy”:

“Only the shaman can undertake a cure of this kind. For only he ‘sees’ the spirits and knows how to exorcise them; only he recognizes that the soul has fled, and is able to overtake it, in ecstasy, and return it to its body….Everything that concerns the soul and its adventure, here on earth and in the beyond, is the exclusive province of the shaman.”

However! A fascinating synthesis between psychotherapy and shamanic soul retrieval has been in the works over the past several decades. A growing number of healers are shifting the agency from themselves to their patients.

Practicing psychotherapist & shamanic healer Selena Whittle attributes the modernized soul retrieval method to her mentor Ross Bishop. Upon his return from studying with teachers in India, Australia, and South America, Bishop transformed the Soul Retrieval process into a method that could be embraced by the Western mind and heart by making a simple shift in the roles of Shaman and the healing recipient.

“In this contemporary method of Soul Retrieval,” relates Whittle, “the essential elements of the process are the same.  There is a shamanic journey into the inner world where the wounded part of the self is identified, healed and brought back; however, the client does the work and is guided by the Shaman. The client takes the shamanic journey. The client identifies the part of the self that is wounded. The client builds a relationship with that part of the self, heals it, then brings it back for integration.

“The Shaman guides the client every step of the way, helping the client navigate the internal world of the psyche, guiding the client in the potent words or actions that are needed to build the relationship with the fragmented aspect of the self, to heal it and to bring it back. The shamanic journey becomes a shared experience, the Soul Retrieval a shared healing intervention.”

Ross Bishop’s “Healing the Shadow” details the process. Both Selena Whittle and Ross Bishop offer in-person and phone-based sessions.

But let me initiate you right here and now into a simple yet profound method, which you can practice in the comfort of your home.

Part II

1. Create your inner sanctum. 

Visualize anything from an ornate temple to a simple spot by a running brook. The important part is that the setting has identifiable features, which can be recreated, and that the space makes you feel empowered, centered, safe and calm. Mentally construct as many details — sights, sounds and smells — as possible. Lie back, get comfortable and spend some time really making your inner sanctuary come to life behind closed eyes. (*The bath, with some low light, candles, calming scents and salts, is an excellent place to do soul work.)

2. Call in the missing soul part.

Decide which aspect you are going to reach out to before settling in by first looking at the problem areas in your life. For example, if you are having issues with anxiety, call in “the one who feels anxious.” If you are dealing with addiction, call in “the one who is addicted.”

If you are a visual person, the rejected aspect will likely take form in your mind’s eye.  If you are not, you may simply get a feeling or “thought package” of insight — though visualization is encouraged with this particular method.

3. Reach out, reassure, & connect.

Remember, these inner aspects are in hiding because they have been wounded, ridiculed, banished, frightened. They are like scared children — who have not developed beyond the age at which they fled — and must be reached out to accordingly. So it’s important to access & project a sense of deep compassion towards them if you’re to inspire their trust.

Tell them you wish to discuss their unmet needs.

These rejected aspects, which you may have deemed bad, difficult, or unacceptable, actually have legitimate needs, which — as they are not being met by you, their guardian — are being substituted with unhealthy behavior. The coping mechanism employed by the exiled aspect, however far from your ideal, is truly its best effort with the tools at hand.

As Lebanese poet Kahlil Gibran said: “when good is hungry it seeks food even in dark caves, and when it thirsts it drinks even of dead waters.” (“On Good and Evil.”)

Explain mentally to your exiled aspect that you are here to increase communication between their awareness and your conscious personality. Remind them you both have the same goal of wellbeing and wholeness, because ultimately, you are one being. Any sense of isolation and disconnection has been a fear-driven illusion based on pain and misunderstanding. Now you are calling home your missing parts. If they have felt unloved, give them the love they crave. You have all the power. Use it.

4. Test for authenticity.

These injured aspects have a long history of feeling unsafe in the presence of the too often accusatory and judgmental conscious mind. As a result, they will often cloak themselves in guarded energy, which can have a menacing impression. This is not the true aspect, but a self-protective mask.

Like any vulnerable creature attempting to seem stronger than it feels, this protective presentation may take the form of something frightening. Practitioners refer to this as “entity” presence, which denotes fear-based energy that isn’t yours but is being used by the wounded inner aspect like armor.

This same goal can be achieved by the inner aspect through opposite means, by presenting an overly “goody-two-shoes” image (“See? I’m perfectly fine. Not hurt at all.”)

So it is necessary to gently test and question the initial appearance of the invited aspect by asking if it is an entity. In your sacred space the aspect can not lie. Even if it says “No” with its mouth, it’s shape may shift or the eyes may flicker, telling a different story and betraying its true nature.

It should be noted that simply because an image is disturbing does not automatically make it false “entity” energy. It can just as easily be the symbolic representation of the feeling-state of the soul part—it may feel, and thus present as, bruised, starved, beaten-up or neglected.

Keep probing its authenticity gently until you feel it has lain down its defenses and actually offered its true, vulnerable self at which point reach out and initiate a compassionate dialogue. A good place to start is by asking how you can help.

If the answer is simple and true, you know it’s the soul part speaking. If the reply is too convoluted or complex, it’s an entity-energy defense, or your cerebral analysis kicking in; start over and await the answer without assumption, projecting compassion. 

5. Identify Source of Disconnection, Correct Misunderstanding

Once assured of the fragmented aspect’s authenticity, ask it to show you at what age it became separated. It may show you a particular scene or instance. Ask how this situation made the soul part feel. What was the message it received? Usually, something in the “Not good enough” category will surface. As with small children who blame themselves for their parents’ divorce or general unhappiness, the impression of unworthiness will invariably be based on a misinterpretation of events. With compassion, correct this misunderstanding. The fragmented aspect needs to hear it is worthy of love. Bring it home by embracing this exiled aspect of yourself; give it the love and acceptance it has been hereto denied.

6. Stay connected afterwards.

The goal is to continue the newly forged relationship beyond your inner journey into your everyday life, eventually forming a full integration between the formerly exiled piece and your conscious awareness. Check in with the newly rediscovered aspect throughout the days following your journey. How does he or she feel? Are you meeting the needs discussed with more awareness?

What makes this method different from, and often more effective than, regular “talk therapy” is the willingness to surrender conscious mind constructs to the wild and telling symbolism of the subconscious. In this way cerebral analysis is transcended and the beating heart of true experience touched.

What may read as hokey can be extremely powerful in a real-time, step by step process. After all, these are the parts of self from which we are always running, from whose pain we so often seek distraction. Giving them back their voice, and gracing their needs with our attention, can be a life-changing integration.

Ultimately, whether you regard this excercise as symbolic or literal doesn’t matter. As French poet Baudelaire said, this world is a “forest of symbols.”

The inner fragmentation experienced by so many in this modern time mirrors the compartmentalization tendencies of society itself.

“The natural environment is treated as if it consisted of separate parts to be exploited by different interest groups. The fragmented view is further extended to society which is split into different nations, races, religious and political groups. The belief that all these fragments — in ourselves, in our environment and in our society — are really separate can be seen as the essential reason for the present series of social, ecological and cultural crisis.” ~ Fritjof Capra, (The Tao of Physics)

In a so-called civilized world, which so often dismisses the idea of soul and then complains of feeling empty, soul retrieval — reclaiming personal wholeness — is a heroic act.

Alchemy: An Allegorical Map to Consciousness Transmutation

By Tai Carmen

“We are unraveling our navels so that we may ingest the sun. We are not afraid of the darkness. We trust that the moon shall guide us. We are determining the future at this very moment. We know that the heart is the philosopher’s stone. Our music is our alchemy.” ~ Saul Williams

Shrouded in mystery and steeped in mysticism, Alchemy is the art and science of transformation. The multi-leveled, symbol-rich philosophy of the ages functions both on an exoteric (practical) and esoteric (spiritual) level.

At its most literal, alchemy was the chemical quest to create the Philosopher’s stone—a legendary substance derived from a series of laboratory processes, known as the The Magnum Opus, The Great Work, or simply The Art. The Philosopher’s Stone was said to be the agent of gold transmutation, and the key ingredient in the creation of the fabled elixir of life, said to heal all diseases, induce longevity and even immortality.

Yet it’s clear from the ancient sacred texts, known as the Corpus Hermeticum—upon which alchemy’s Hermetic principals are based—that gold transmutation is but the tip of the iceberg, as well as a symbolic teaching, of what is essentially a philosophical and mystical tradition. The Philosopher’s Stone can be, and often is, viewed metaphorically.

“[T]he Stone is a symbol of  incorruptible wisdom achieved by uniting both rational, intellectual thinking (masculine, right brain activity) with our intuitive knowing of the heart  (feminine, left brain activity).” (Alchemy & The Philosopher’s Stone.)

“Alchemy posits that all things in the universe originate with the materia prima (First Matter),” notes P.T. Mistlberger in his essay “Psycho-Spiritual Alchemy.”

“The idea of the ‘primal material’ was developed by Aristotle and refers to the idea that there is a primordial matter that lies behind all forms, but that is itself invisible. It is the womb of creation, the field of pure potentiality, but it only gains existence, in the strictest sense, when given form.”

Mistlberger continues: “In the alchemical process, the primal material is that which remains when something has been reduced to its essence and can be reduced no further.”

From a mystical perspective, “essence” is also commonly associated with the soul.

“Psychologically,” Mistleberger adds, “this is a potent symbol for the inner process of transformation in which we regularly arrive at ‘core realizations’ that cannot be deconstructed further, but that themselves become the ground for successfully moving forward in life—‘integrating’ as we evolve.” 

Certainly such high-level claims as gold transmutation and immortality elixirs made alchemy ripe for abuse from charlatans. Its cryptic language and oblique symbolism only aided sham-peddling swindlers with the perfect smoke screen behind which to operate mysteriously.

Fraudulent claims drove The Art into disrepute—Dante reserves a special place in his Inferno for alchemists—and the modern materialist mind is often quick to dismiss alchemy as an arcane jumble of smoke and mirrors hogwash. Though it is considered a protoscience for modern chemistry due to its establishment of basic chemical procedures (the most notable being distillation), its discovery of phosphorus, antimony and bismuth, and preparation of nitric, hydrochloric and sulphuric acid.

The real “gold,” however, seems to lie in the deeper, spiritual heritage of Alchemy. The mystical truths preserved in its archetypal imagery and symbolism still serve as an allegorical map for seekers today.

“Only through discovering alchemy,” notes pioneering Swiss psychologist Carl Jung, “have I clearly understood that the unconscious is a process and that ego’s rapport with the unconscious and his contents initiates an evolution, more precisely, a real metamorphosis of the psyche.”

While the imagery associated with alchemy can be bafflingly surreal and even disturbing, every detail holds symbolic meaning that becomes coherent when viewed through an allegorical lens.

The 7 Stages (or Operations) of Alchemy give insight into many of these symbols. The system is thought to be based largely on the ancient text, The Emerald Tablet of Hermes—the jewel in the crown of the Corpus Hermeticum. The first translation dates back to the 13th century, though its origin is suspected to go as far back as the 2nd century or older.

The 7 Stages, undertaken with the goal of the Philosopher’s Stone (both literal and metaphorical), are as follows:

1.Calcination. (“Its father is the sun.” ~ The Emerald Tablet of Hermes)

Chemically, this initial stage involves heating the substance over an open flame and burning away the first layer of impurities.

“Psychologically,” remarks Dennis William Hauk, an Internationally recognized expert on alchemy research, “this is the destruction of the ego and our attachment to material possessions. Calcination is usually a natural humbling process as we are gradually assaulted and overcome by the trials and tribulations of life, though it can be a deliberate surrender of our inherent hubris [igniting] the fire of introspection and self-evaluation.”

“In spiritual symbolism, this stage is sometimes humorously referred to as ‘cooking’ or ‘baking’ (and in fact the prime symbol of this stage is fire),” observes P.T. Mistlberger in “Psycho-Spiritual Alchemy.“

Spiritually, Adam McClean points out in his essay Birds in Alchemy, “the nigredo indicates the initial stages of the alchemist’s encounter with his inner space, through withdrawing from the outer world of the senses in meditation, and entering what is initially the dark inner world of the soul,”

Symbolized by crows, ravens, toads, sculls and skeletons—as well as the alchemist in his own burning flask or cauldron—philosophically, this stage represents the breaking down of old structures. Called the nigredo, or “blackening,” Calcination involved putrefaction and decomposition of the alchemical substances—a “trial by fire” that psychologists often equate with the Dark Night of the Soul, the death of old aspects of the self and confrontation with the shadow within.

2. Dissolution (“Its mother is the moon.”)

Also called the albedo, or “whitening,” the second stage, was said to result from the washing (ablutio, baptisma) of the products of the nigredo. Chemically, this phase denotes the dissolving of the ashes from Calcination in water. Often symbolized by a white swan or a white eagle, Dissolution marks a time of emotional cleansing, a purification through catharsis and letting go.

“It is, for the most part, an unconscious process,” details Dennis William Hauck,  “in which our conscious minds let go of control to allow the surfacing of buried material. It is opening the floodgates and generating new energy from the waters held back. Dissolution can be experienced as “flow,” the bliss of being well-used and actively engaged in creative acts.”

“This stage is often characterized by experiencing the emotion of grief,” adds P.T. Mistlberger, “and allowing ourselves to truly grieve painful incidents from our past that we may have long buried.

“A key to the stage of Dissolution is the awakening of passion, and the harnessing of the energy of emotional pain toward an object of creativity. We do not just passively witness the reality of our inner pain; we redirect its energy, wedding it to our authentic personal desires and constructive aims.”

“It is that stage of catharsis after some intense experience of being consumed in the crucible,” details Adam McLean, “when we glimpse the appearance, however fragmentary, of a new possibility —a flickering light in our souls which draws us towards its promise of change.”

3. Separation (“The wind carries it in its belly.”)

Chemically, according to Hauk, this stage marks “the isolation of the components of Dissolution by filtration and then discarding any ungenuine or unworthy material.

“Psychologically, this process is the rediscovery of our essence and the reclaiming of dream and visionary ‘gold’ previously rejected by the masculine, rational part of our minds. It is, for the most part, a conscious process in which we review formerly hidden material and decide what to discard and what to reintegrate into our refined personality.”

The Separation stage, much as its name suggests, denotes a time of discernment and taking stock. ”In this stage,” notes Mistlberger, “we begin to see what is of value in our life, and what is not.”

4. Conjunction (“The earth is its nurse.”)

“Chemically,” Hauk tells us, “it is the recombination of the saved elements from Separation into a new substance…”

“Psychologically, it is empowerment of our true selves, the union of both the masculine and feminine sides of our personalities into a new belief system or an intuitive state of consciousness. The alchemists referred to it as the Lesser Stone, and after it is achieved, the adept is able to clearly discern what needs to be done to achieve lasting enlightenment, which is union with the Overself. Often, synchronicities begin to occur that confirm the alchemist is on the right track.”

The divided self, often represented by a king and queen, now purified and healed—is reunited, producing filius philosophorum, or “the philosopher’s child,” a magical, hermaphroditic babe, representing the reborn, integrated self.

“Esoteric alchemy proposes,” Mistlberger elaborates, “that what is left if the first three stages of calcination, dissolution, and separation have been properly undergone is a state wherein we can more clearly mediate between our ‘soul’ and ‘spirit’.

“In this sense ‘soul’ refers to our embodied spirit, the part of our essential nature that is fully on Earth, and ‘spirit’ refers to our most rarefied connection with the divine, transcendental Source. These two are sometimes categorized as the divine feminine (soul) and the divine masculine (spirit). The combining of the two is the essence of inner tantra, a sacred marriage of spiritual opposites.”

The integration of the active, “impregnating” principal of divine spirit is often depicted as the masculine sun, or Sol, while the receptive principal of the body receiving that spirit infusion is represented by the feminine moon, or Luna. Below these aspects integrate via the symbolic sexual union of Sol and Luna.

“In conjunction, fears melt,” adds Nephtalia Leba in her essay “Alchemical Transformation.” “The old scripts that played in our head that said we ‘must’ or we ‘should’ are quieter, if not gone. There is more joy now. We begin to see the world more clearly. The acts we do choose to engage in – even the mundane acts – take on a greater delight.”

5. Fermentation (“Separate the Earth from Fire, the subtle from the gross, gently and with great Ingenuity.”)

Chemically, Fermentation is the growth of a ferment (bacteria) in organic solutions, such as occurs in the fermenting of grapes to make wine. And this idea is mirrored in the psycho-spiritual stage it represents in the seeker’s journey. Fermentation is a two step process, which begins with Putrefaction.

 In this stage, Hauk details, “matter is allowed to breakdown and decompose. The alchemists often added manure to help get the process going…The dead material seems to come to life again with an influx of digesting bacteria, as Fermentation begins.

“This new life force changes the fundamental nature of the material in what the alchemists saw as a process of spiritization [the second phase in Fermentation].

“Psychological Fermentation is the introduction of new life into the purified presence that developed during Conjunction. This child of the Conjunction, however, is really just a melding of opposites of the personality that may still be contaminated with traces of ego, so it is necessary to “sacrifice” it to bring about its resurrection on a new level of being.

“During psychological death or Putrefaction, the ‘child’ of the Conjunction, which is the strongest presence you can create within your earthbound personality, is exposed to the decadent humidity of your deepest and most clinging psychic components, the psychological manure in which most of us wallow.”

Hauk continues: “Fermentation then begins with the inspiration of spiritual power from Above that reanimates, energizes, and enlightens the blackened soul. It can be achieved through various activities that include intense prayer, desire for mystical union, breakdown of the personality, transpersonal therapy, psychedelic drugs, and deep meditation. In simplest terms, Fermentation is a living, loving inspiration from something totally beyond us, something existing wholly Above in the realm of pure mind.”

Like the first “nigredo” stage of Calcination, the Fermentation phase has been associated with the Dark Night of the Soul psychologically.

“Here, we undergo a type of rebirth,” observes Mistlberger, “resulting from the deep willingness to let go of all elements of [ourselves] that no longer serve our spiritual evolution. This marks the true beginning of inner initiation, of entry into a ‘higher’ life in which our best destiny has a chance to unfold.”

This stage is often associated with the peacock due its reported accompaniment of multi-colored visions upon entering the spiritization phase, known as “the peacock’s tail.”

Interestingly, the cobalt blue center of the peacock’s tail is often used in Eastern mystical symbolism to represent “the blue pearl,” a third eye phenomenon observed by meditators during practice.

6. Distillation (“It rises from Earth to Heaven and descends again to Earth, thereby combining within Itself the powers of both the Above and the Below.”)

Chemically this stage involves the boiling and condensation of the fermented solution to increase its purity, such as takes place in the distilling of wine to make brandy.

“Psychologically,” Mistlberger details, “distillation represents a further purification process, being about an ongoing process of integrating our spiritual realizations with our daily lives—dealing with seeming mundane things with integrity, being as impeccable in our lives as we can be, and not using the inner work as a means by which to escape the world…

“…At this stage remaining impurities, hidden as ‘shadow’ elements in the mind, are flushed out and released, crucial if they are not to surface later on (a phenomena that can be seen to occur when a reputed saint, sage, or wise person, operating from a relatively advanced level of self-realization, appears to have a fall from grace).”

Mistlberger tells us that a common alchemical symbol for this stage is the Green Lion devouring the sun, suggesting “a robust triumph and an embracing of a limitless source of energy.”

7. Coagulation (“Thus will you obtain the Glory of the Whole Universe. All Obscurity will be clear to you. This is the greatest Force of all powers, because it overcomes every Subtle thing and penetrates every Solid thing.” )

“The end result,” concludes Mistlberger, “is the Philosopher’s Stone, also sometimes called the Androgyne, and is often symbolized by the Phoenix, the bird that has arisen from the ashes.

“This is closely connected to the idea of the Resurrection Body of mystical Christianity, or the Rainbow Body of Tibetan Buddhism, which includes the esoteric idea of the ability to navigate all possible levels (dimensions) of reality, without loss of consciousness.

“It is the form of the illumined and fully transformed human, in which matter has been spiritualized, or the spiritual has fully entered the material. Heaven and Earth seen as one, or as the Buddhists say, nirvana (the absolute, or formless) is samsara (the world of form). At this end stage, whatever we set eyes on we see the divine, as we have come to realize our own full divinity.”

Below, an alchemical woodcut depicts the Stone as eternally youthful and fully integrated. He controls the forces of duality and fends off any materialistic advances on his unified Soul and Spirit

“In the age-old image of the Ouroboros lies the thought of devouring oneself and turning oneself into a circulatory process, for it was clear to the more astute alchemists that the prima materia of the art was man himself.

 “The Ouroboros is a dramatic symbol for the integration and assimilation of the opposite, i.e. of the shadow. This ‘feed-back’ process is at the same time a symbol of immortality, since it is said of the Ouroboros that he slays himself and brings himself to life, fertilizes himself and gives birth to himself. He symbolizes the One, who proceeds from the clash of opposites, and he therefore constitutes the secret of the prima materia.” ~ Carl Jung

 

*To see where you might be on the path of alchemical process, take a test at www.alchemylab.com.

Starseeds, Cosmic Consciousness and the Galactic Generations ~ Part 1

By Tai Carmen

Some part of our being knows this is where we came from. We long to return. And we can. Because the cosmos is also within us. We’re made of star-stuff. We are a way for the cosmos to know itself. ~ Carl Sagan 

We are stardust ~ billion year old carbon. We are golden ~ caught in the devil’s bargain. And we’ve got to get ourselves back to the garden. ~ Joni Mitchell

Long before man went to the moon, he looked up at the stars and pondered his place in the cosmos.

Many a soul has looked up to the shimmering panorama of the night sky and felt a kinship, perhaps with a certain star or constellation. Many experience a sense of longing, as if some key to their existence might be hidden there.

It’s not just a poetic line. In a very real way we are made of stardust.

All the elements necessary to create life — carbon, nitrogen, iron, to name a few–were first forged in the nuclear furnace of a stellar explosion. And so every atom in the human body came, originally, from a dying star, propelled outward into the universe.

Countless books, movies, songs and legends reflect our sense of kinship with these burning bodies of celestial light, so seemingly different from our own bodies of flesh and bone…From radio hits about being “all made of stars” to Native American oral traditions, which describe human origins and helpers from the heavens.

In the past century, we have witnessed a renaissance of human thought, now aided by the information age. At the same time, we have seen an incredible amount of bloodshed and suffering. Is it getting better or getting worse? Apocalyptic prophesies abound. But so does talk of an awakening.

Over the past half century, connected with this idea of awakening, the terms “Starseed,” “Starborn,” and “Star Children” have become a part of the fringe cultural dialogue.

The idea has formed within this multi-generational conversation that some souls are “not from here.” Many mystically inclined would argue that none of us are spiritually “from here,” and the starseed concept is compatible with this idea. The theory goes that these souls, the starseeds, have incarnated more often in other solar systems; that earth is not their home planet.

According to Scott Mandleker, Ph.D., author of From Elsewhere: Being ET in America, recurring themes among starseed identified individuals include feeling alien to contemporary human culture; disconnection from, and even disgust with, accepted norms…a deep spiritual longing and the sense that, not only is there more to life than meets the eye, but that they have a mission to fulfill. The word “mission” seems to be a trigger word for starseeds almost without exception. Many have had extra-dimensional or ESP encounters, which have affirmed their sense of differentness and sensitivity.

There is usually a strong connection with nature and the stars, an interest in space, science fiction, other worlds, ancient cultures, environmentalism and human potential…perhaps even homesickness for a place they’ve never known in this life.

Many starseeds feel they have chosen to forget their other worldly origins in order to grow up on human terms and blend into the culture — though most feel the intention was to eventually “wake up” to their true calling as paradigm-pushers and ‘spiritual beings having a human experience,’ (as the Pierre Teilhard de Chardin quote goes.)

Though in some rare cases, starseeds feel they’ve been exiled to earth, the majority feel their intergalactic mission stems from the compassionate desire to help nudge humanity onto the path of its destined awakening.

Starseeds, without fail, intuit the civilizations from which they’ve come have moved beyond earth’s current state of divisive turmoil into a phase beyond war, disconnection and bloodshed. For this reason, starseeds invariably find themselves looking to serve humanity, choosing vocations which center around healing, teaching, human potential, the arts, environmental assistance and social outreach.

Most feel their own path of awakening, their spiritual journey, is of utmost importance in order to truly live the new paradigm they wish to exemplify.

Though the stuff of science fiction, and many would say wishful thinking, the phenomenon has been felt by so many isolated individuals, unprompted  — only later to be united by a website, a conversation, or a book — that it truly deserves some investigation by the open minded among us. And it could be science fiction itself is a product of productive starseed types, exploring inner worlds which lead them inevitably to worlds beyond their own.

The most common take on this intuitive knowledge is that these interstellar souls have come as artists, visionaries, dreamers and pioneers of thought to assist in humanity’s impending rebirth, to act as midwives through the inevitable labor pains.

Psychedelic icon Timothy Leary may have been the first to use the word “Starseed” in his short work, “Starseed: Transmissions from Folsom Prison.” 

He penned “Starseeed” while serving time on charges of marijuana possession, for which he was issued a 95 year sentence — an unheard of amount of time for the crime committed. While officially held on drug charges, at the hearing the judge remarked: “If he is allowed to travel freely, he will speak publicly and spread his ideas.” (Jesse Walker, “The Acid Guru’s Long Strange Trip.”)

President Richard Nixon had earlier labeled Leary “the most dangerous man in America.” (“Tim Leary, Pied Piper of Psychedelic 60’s.”) To have the president of the United States call a pacifist author-philosopher by this title should tell you something about the repressive state of affairs in which free thinkers find themselves.

Yet the irrepressible psychedelic spiritualist continued his work from jail, writing in 1973:

“This signal is being transmitted from a cell in Folsom Prison, which is the Black Hole of American society […] Some cosmologists suggest that Black Holes […] may be passageways to another universe, just as the manholes in Paris lead to a world beneath the street. Well, the maximum security prision is a fine place from which to scane the universe […]

“Out here, beyond good and evil, one sees America in pain, injured nervous systems propelling robot-bodies in repitiuous, aimless motion along paths labeled rights and wrong…”

Yet Leary remained fiery with optimism:

“The entire universe is gently, rhythmically, joyously vibrating. Cosmic intercourse. This is a message of hope and interstellar love from the Black Hole. Irrepressible optimism. Yes, it is true that repressive pessimists now control planetary politics. This is a larval phase.”

At this time, Leary had begun receiving what he believed were telepathic messages from outer space, presumably the genesis for “Starseed.” He began to see man’s true means of spiritual transcendence as coming from the stars:

“[…].certainly the anticipation of ‘saucers’ transporting humanoid bodies is naive. It is more likely that extra-planetary contact will be received by the instrument which was designed over three and a half billion years ago to pick up electro-magnetic vibrations. The human nervous system itself […]

“This message of neurological resonance can be censored, imprisoned but cannot be crushed because it comes from within, from the DNA nucleus inside each cell, from the evolving nervous system. The Higher Intelligence has already stepped on planet earth and its script is writ within our bodies, emerging in every generation.” (  Click this link to read the full piece online.)

(He did end up getting an early release, after five years, and resumed his energetic career, this time with emphasis on man’s place within the cosmos.)

To take the Starseed Test, click here! (Normally, I don’t put much stock in these test, but this is a good one, composed by licensed psychologist Scott Mandleker, author of From Elsewhere: Being ET in America, which we’ll examine in the next installment of the Parallax starseed series.)

Click here for PART II

Rites of Spring: Rituals of Renewal

By Tai Carmen

That men may rise on stepping stones of their dead selves to higher things.

~ Lord Alfred Tennyson 

The Spring Equinox — when the sun lines up with the earth’s equator — is rich with rituals of renewal, and marks the first day of Spring for those who live in the Northern Hemisphere.

There are two days each year when the daytime and nighttime hours are approximately equal — each being 12 hours long. One occurs between March 19 and 21 (the Spring or Vernal Equinox) and the other in September. These dates have strong ties to religious celebrations throughout the world.

“The Christian Easter is destined to fall roughly around the same time as the Pagan Easter [vernal equinox] due to its association to the Judaic Passover [marking the liberation of the Jewish people from Egyptian bondage] which is also fixed by the lunar cycle,” Andy Paciorek explains in Strange Lands.

“Both festivals could be said to reflect new life, either Christ’s return from the dead or the blossom and birth of Spring. So it was not much of a stretch for the ascending Christian Church to merge both festivals. This is known as ‘assimilation’ and was a habit frequently employed in those times … to ease and encourage rather than force the conversion of heathens. ”

The modern English term Easter can be traced back to the ancient pagan goddess, Ēostre  for whom the German month of April is named. Eostre represents the sunrise, springtime, fertility, and new life, as do her symbols — hares and eggs. Hares because of their plentiful reproductive capacity, and eggs because all life starts with an egg. And so the tradition of eggs and rabbits as symbols of Easter is rooted in emblems of European folklore.

“The Easter Bunny is not actually a ‘bunny’ or rabbit at all, but is actually a hare,” details Andy Paciorek. “The hare was the sacred animal of Eostre (or Oestra or Ostera), the ancient Teutonic Goddess of the Spring Moon. At the time of the vernal equinox (March or April) the hares are famed for going ‘mad’…”

“The association of rabbits, hares, and the moon can be found in numerous cultures the world over,” notes Terri Windig in “The Symbolism of Rabbits and Hares,” “ranging from Japan to Mexico, from Indonesia to the British Isles. Whereas in Western folklore we refer to the ‘Man in the Moon,’ the ‘Hare (or Rabbit) in the Moon’ is a more familiar symbol in other societies.

“In Chinese folklore, female hares conceive through the touch of the full moon’s light (without the need of impregnation by the male), or by crossing water by moonlight, or licking moonlight from a male hare’s fur. Figures of hares or white rabbits are commonly found at Chinese Moon Festivals, where they represent longevity, fertility, and the feminine power of yin.”

In Iran the Spring Equinox is celebrated with Nowruz — known as “the Persian new year” and meaning “new day.”

As with Passover, house cleaning is a part of the preparation, stemming from the old belief that cleanliness helps keep evil away (quite sensible.)  On the day of Nowruz everyone dons new clothes and families visit one another. Along with other symbolic items, such as sprouted barley representing rebirth, painted eggs signifying fertility and abundance are prominent in Nowruz traditions.

Hindus celebrate the Spring festival of Holi, known as the Festival of Colors, at the end of the winter season, on the last full moon day of the lunar month (February/March).

Marked by bright colors evoking springtime and fresh life, Holi has roots in Hindu mythology associated with good triumphing over evil. Social caste taboos are relaxed, joy and mischief are encouraged, and no one expects polite behavior. The rich and the poor, the young and the old, women and men all celebrate in the streets together, dousing one another with water and colored dyes.

“Taking the superstitions and rituals of the spring festivals as psychological symbols, we can appreciate the importance of personal renewal,” muses Jonathan Young in his article “Symbolism of Spring.”

“Putting on new clothing could represent the possibility of developing a new aspect of identity or finding a fresh sense of purpose. Spring might well be the appropriate moment to don new clothes, in a figurative sense, and claim an underused side of ourselves. A personal ritual for this month could be deciding what crops we want to develop in our lives so that we have a flourishing summer ahead.”

In Winter, we cocoon. We hibernate; dream. Symbolically, in Winter we gestate, go inward — a metaphorical death. In Spring, new life sprouts forth from the dormant earth and we are reminded of our own capacity to bloom.

What bulbs have been dreaming in the dark earth of your subconscious? What behaviors do you want to shed like winter runoff? What creative, personal or spiritual fruits would you like to bare in the upcoming year?

The Art of Madness

By Tai Carmen

“Madness is to think too many things in succession too fast, or one thing too exclusively.” ~ Voltaire

“A person needs a little madness, or else they never dare cut the rope and be free.” ~ Nikos Kazantzakis

“You’re only given a little spark of madness. You mustn’t lose it.” ~ Robin Williams

In his seminal work, “Madness and Civilization,” French philosopher Michael Faucault posits that psychiatry uses labeling language (known as positive science) to camouflage the bourgeois values imposed on social deviancy.

In other words, the mental health system acts as a kind of suppressive goon against nonconformity.

Vincent Van Gogh, famous for his sunflowers, wheat fields and ear-chopping, acknowledged that:

“It is only too true that a lot of artists are mentally ill — it’s a life which, to put it mildly, makes one an outsider. I’m all right when I completely immerse myself in work, but I’ll always remain half crazy.”

From an evolutionary perspective, survival depends on some kind of social acceptance. So it’s natural that we attempt to avoid stigmatization. Yet, the seeker-dreamer feels compelled towards living authentically and will often sacrifice herd acceptance for the satisfaction of true self-expression.

Still, there is the ever-present, if subconscious, awareness that if you go too far, you could lose liberty. If you act too differently, you could be institutionalized.

Once deemed clinically insane, the individual’s rights become blurry, as with criminals.

The incarceration of psychological dissidents acts as a kind of warning to wayward thinkers; a cautionary tale to not let one’s mind run too far into the fanciful woods. 

Edgar Allen Poe observed:

“Men have called me mad, but the question is not yet settled, whether madness is or is not the loftiest intelligence—whether much that is glorious—whether all that is profound—does not spring from disease of thought—from moods of mind exalted at the expense of the general intellect. Those who dream by day are cognizant of many things which escape those who dream only by night.” 

In the Renaissance,  the mentally ill were considered to have gotten too close to “the Reason of God.”

Tribal cultures throughout the world consider madness the first sign of a shaman’s birth into his power, marking him as one who can communicate between the physical and the invisible worlds.

Dr Adele Juda, researcher at the Institute for Psychiatry of Munich, interviewed over 5,000 people between 1927 –1943. She found what was considered neurosis and personality disorder in 27% of the artists & 19% of the scientists and statesmen studied, against the general rate of 10-12%.

The highest rates of psychic disruption were seen among poets (50%).

As French poet Arthur Rimbaud writes:

“A poet makes himself a visionary through a long, boundless, and systematized disorganization of all the senses. All forms of love, of suffering, of madness; he searches himself, he exhausts within himself all poisons, and preserves their quintessences. Unspeakable torment, where he will need the greatest faith, a superhuman strength, where he becomes all men… Because he has cultivated his soul, already rich, more than anyone, he attains the unknown.”

The lowest rates of neurosis were found among architects (17%).

A good friend of mine once worked as a personal assistant for an Oscar-winning talent who shall remain nameless. She has shared moments with me wherein the successful entertainer barreled through the living room in boxer shorts, a newsboy hat and cowboy boots, a manuscript of papers clutched to his chest, saying, “I’m going mad!”—after dumping his papers in a pile to play a beautiful fit of piano music & jumping up to scribble in a notebook.

He smiled of course when he said it, because he had managed to play the most beautiful hoodwink upon society that a creative mind can play: he made money being slightly mad.

And that is the art of insanity: valuing creative chaos and giving it room to unfold without premature critique or analysis. Order and reason can come later. As Nietzsche says:

“You must have chaos within to give birth to a dancing star.”

Creative process doesn’t have to make sense, and some of the world’s greatest visionaries have proven that it’s better if it doesn’t. Far-fetched processes yield unusual thoughts, and novel ideas garner more attention than pedestrian ones.

Am I suggesting that one can not be brilliant without being insane? Certainly not. But in order to have great thoughts, one’s mind must certainly be open to a broader scope than the average thinker, and when a mind is broad in expanse, the impressions therein will be unusually varied.

Madness and art are not mutually exclusive, but they do go well together, and often turn up as a pair to the same party. If you’re one of those who dreams awake and finds yourself an “outsider” like van Gogh, consider yourself lucky: you’re in good company and that much closer to doing something original.

So use your madness to your own advantage. Rather than stuffing it in a drawer, take it out to play.

“Imagination,” Einstein says, “is more important than knowledge. For knowledge is limited to all we now know and understand, while imagination embraces the entire world, and all there ever will be to know and understand.”

“There is no genius free from some tincture of madness.” Seneca

If you liked this post, you might also The Outsider, The Outsider As Visionary & The Mythology of Conformity