The Death and Resurrection Show

May 10, 2011 § 13 Comments

By Tai Carmen

“Beat the drum and sing songs. If you are an ordinary man, nothing will come of it; but if you are to be a shaman, you will be no ordinary one.” ~ Siberian shaman

“The unfathomable experience that humanity has symbolically expressed for millennia through myths, fables, rituals and ecstasies, remains one of the hidden centers of our culture, of the way we exist in the world.” ~ Carlo Ginzburg, Ecstasies

“Listen, wait, and be patient. Every shaman knows you have to deal with the fire that’s in your audience’s eye.”~  Ken Kesey

The word shaman, originally Siberian, is an anthropological term. In the Tungus language, a saman is a person who “beats the drum, enters into trance, and cures people”(The Cosmic Serpent, Jeremy Narby).

Almost universally, indigenous people have sought meaning and clarity through ritual ecstasies. The word “ecstasy,” despite its modern connotation of supreme bliss, originally meant “to be out of ones head.” The Greco-Roman Dionysian Mysteries (aka the Cult of Dionysus) parallel the shamanic practices of tribal cultures — a systematized disorganization of the senses via trance states induced by intoxicants/hallucinogenics, music and/or dance, with the goal of personal transformation/liberation from social constraints, and communion with a divine or supernatural principal.

(If that sounds like a pretty good time, keep in mind that there are tales of humans being hunted like animals and sacrificed by wild Dionysians).

“In intoxication,” muses Bertrand Russell  in A History of Western Philosophy, “in physical or spiritual, the initiate recovers an intensity of feeling which prudence had destroyed; he finds the world full of delight and beauty, and his imagination is suddenly liberated from the prison of everyday preoccupations. The [Dionysian] ritual produced what was called ‘enthusiasm’, which means etymologically having the god enter the worshipper, who believed that he became one with the god.”

The idea of the shamanic ritual was to go through a symbolic death of sorts, to shed old psychic skins, and emerge, in a sense, reborn. 

Interestingly, rock shows and raves more closely resemble these archaic rituals than modern religious services. Show business has taken the place of shamanism. 

Celebrities are the medicine men and women of modern society. The shaman addresses the collective psychic state of the participants through ceremonial performance, guiding the group through a transformative experience, usually accompanied by hypnotic rhythm.  Archaic man’s ecstatic mysteries have much in common with modern man’s rock shows.

John Lennon famously complained about the vast amount of godlike power assigned him and his band-mates as Beatles. People would show up in wheelchairs wanting Lennon to heal them. “The Beatles,” relates Rogan Taylor, “had been mistaken for medicine-men. Soon they began to look and act like medicine men.”

“By the mid-sixties,” continues Taylor,”something strange was happening on a scale never previously seen. Rock’n’roll had burst out of its adolescent shell to become a full-blown sacred cult.

“[…] The star performers were being hailed as culture heroes and worshipped with an ecstatitic intensity more usually reserved for religious rites […] soon they even began to look like weird prophets from another age.

“Their bizarre regalia and wild manner were framed in fantastic lifestyles and their powers acclaimed as extraordinary […] it was as if the old shamans had cast away the last vestiges of disguise to stand openly on stage at last.”

And just as gods must journey into the underworld, modern celebrities do what they can to do this mythic requirement justice, often living in a ceaseless Dionysian frenzy until they self-destruct and die young, as so many young musicians and actors have so tragically done. But such is the price of a shaman.

A shaman gets his powers in some way from the other worlds he journeys to, from his strange lifestyle, and through his ability to transform and articulate transformation to the tribe.

Just as spirits often “possess” the shaman during his trance, musicians often report feeling possessed by a greater spirit than themselves on stage. R & B singer Beyonce has said of her alter-ego “Sasha Fierce:”

I have someone else that takes over when it’s time for me to work and when I’m on stage, this alter ego that I’ve created that kind of protects me and who I really am. 

Religious Historian Mircea Eliade sums up the vast anthropological literature on shamanic ritual as “the death and mystical resurrection of the candidate by means of a descent to the underworld and an ascent to the sky.”

Some of today’s most mainstream performers re-enact these ancient transformative rituals with startling precision. Take for instance shock-pop icon Lady Gaga’s infamous MTV Video Awards performance wherein she smeared her white dress with (hopefully fake) blood . . .

. . . and then walked around looking like a living sacrifice for the rest of the night.

In a strange interview Lady Gaga acknowledges her awareness of her role:

What are you looking for? What you’re looking for is magic…magic is what happens on the stage … I’m here to entertain you and I’m here to be a martyr for show business… I will die in front of all of you so that you can watch and enjoy.

But a coked-up, gyrating, scantily clad pop star singing about sex is a far cry from a peyote-smoking medicine man pounding a drum and guiding the tribe through a night of cathartic dance, ritual and sacredly framed drug-induced vision questing.

One primary difference is training and tradition: archaic medicine men and women had the tradition of their tribal elders to draw upon, trained often for years to become the spiritual guides of their community.

Today’s would-be rock shamans have only the mantra of “sex, drugs and rock’n’roll” chanted by their hedonistic heroes to go by, and stardom is a map-less road known for inspiring egomania, isolation, addiction and suicide. These are our shamans, the blind leading the blind, and millions of children aspire to be just like their heroes.

“We live in a culture where everything tastes good,” says Daniel Pinchbeck, author of Breaking Open The Head: A Psychedelic Journey into the Heart of Modern Shamanism, “but nothing satisfies.”

In today’s culture of distraction, where humankind is increasingly isolated from nature and from a sense of visceral community, we can still pursue the sacred art of the vision quest (for inspiration, check of The Modern Vision Quest on Parallax.)

We must make our own reality-maps, as those leading are blind themselves, our healers, wounded. We can create new ceremonies and transformative techniques that have meaning to us personally.

The important thing is to take the time to stop and commune with our inner visions, tap into the greater cosmic wisdom, etc — in short, to take the time to dream. In a culture of media overload and technological gadgetry, we must remember to honor our need for deeper meaning.

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§ 13 Responses to The Death and Resurrection Show

  • diana says:

    A great article, I really enjoyed it! I never thought of relating shamanism to our present culture, a really refreshing view!
    I just wanted to point out that the Romanian philosophers name is Mircea Eliade, not Mercea.

    • taicarmen says:

      Thank you so much! I love taking ancient thought models/ archaic archetypes and applying them to modern culture. They often fit surprisingly well. Thanks for the typo correction! And for the fortifying support. 🙂 TC

      • Another great post. I do appreciate the modern/traditional comparison. Both roles and costumes and even style – psychedelic wailing. So many people claim music saved their lives. st. Again, I am curious- have you had any vision quest experiences? One more thing. Let’s remember that there are some positive, healing shaman rockstars

      • taicarmen says:

        Oh, there are definitely some positive healing rockstars. Agreed, agreed! As a fellow musician, there are musicians who have done as much for me as I’m sure saints and shamans have done for others in the past. I suppose I neglected to balance my skepticism of today’s pop stars with my appreciation for their inspiring counterparts. This point may necessitate an addendum.

        To answer your question, I have had some deep experiences at a desert hot spring in California. It’s called Deep Creek and known as a sacred place long before the Europeans hit America: The native tribes treated it like a church — a place where no one would fight. A sanctuary. Because they believed it was a power vortex. Well, it was for me. I always went there with a sense of the sacred, and an intention to cleanse myself both emotionally and spiritually…

        Those were my vision quests and there I experienced very interesting contact with something greater than myself. A sense of divine magic and splendor running through all things. I saw light around the plants, among other things. I highly recommend going to a sacred place near water (hot spring are great because they are so relaxing…and you truly can forget about the time and just soak. It puts you back on the time of the earth…you slow down…and less gets past you. )

        It’s very special and hard to find the right sacred space for you…I haven’t found one here yet since I moved. All nature is sacred, but ancient wisdom maintains (and my own experiences affirm) that certain geographic locations just click energetically with certain people to facilitate divine communion. It’s worth looking for your place.

        Just writing this makes me want to re-approach my own search for a new power place in my new state. 🙂

        Thanks for being part of the dialogue. 🙂

        Dreamers unite!

      • For example Saul Williams or Janelle Monae

  • Elizabeth Swallox says:

    Thank you for this. I once had three copies of “The Death and Resurrection Show” by Rogan Taylor. I had bought them in a second hand store for about $5 each. After reading one, I gave them all away. They are now priced at $999.00 on Amazon. Your writing owes much to that book… even if you don’t own a copy… Thank you… Betty

    • taicarmen says:

      Oh, Betty, I know! I do have a copy — my father’s. I love it. Unfortunately the cover is in poor shape, though still intact and fantastic. I knew the book was discontinued but I didn’t know it was priced so high! Makes me want to publish some excerpts here so others can enjoy it’s wisdom. Wow! Yes, I love that book. Sorry to hear you no longer have yours. I wonder if the library has a copy…worth a shot! Be well. TC

  • […] A deeply ironic move, considering the oft-noted link between shamanism and rock/pop music performance. See Rogan P. Taylor’s The Death and Resurrection […]

  • […] of the teachings. I will get back to these underlying positive effect in another post. Blogger Tai Carmen describes the shamanistic state eloquently in a great post on her blog: “A systematized […]

  • Bazzer says:

    I bouight the book in 1985, a wonderful book, I am a jazz musician and I think all musicians should read this book.

    • Tai Woodville says:

      Wonderful! Yes. I agree. I think all artists should. My father was an actor and my copy was his…he always felt it really perfectly identified the showman’s shamanic role in society. 🙂

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